A small history · second layer of the notebook

Three centuries of people who looked closely.

The plates in this notebook are not decoration we bought. Each is a page from a tradition of looking at a plant until you can draw it, and every GIAB dossier begins the same way. Click any plate to open it.

Gera, Germany · 1887 - 1898

Köhler’s Medizinal-Pflanzen

Franz Eugen Köhler’s three-volume atlas of medicinal plants: 283 chromolithographs, each with the flower, fruit and seed dissected beside the whole plant. It was made for pharmacists who had to recognise what they were selling. Still the clearest botanical teaching plates ever printed.

Public domain · Wikimedia Commons
London · 1787 to today

Curtis’s Botanical Magazine

William Curtis started it to show gardeners the new plants arriving from the colonies, one hand-coloured plate and a page of text at a time. It has never stopped publishing. Kew still edits it.

Biodiversity Heritage Library · CC BY 2.0 / public domain
Suriname · 1699 - 1701 · published 1705

Maria Sibylla Merian

At 52 she sold her possessions, sailed to Suriname with her daughter and spent two years painting insects on the plants they actually fed on. Nobody in Europe had drawn metamorphosis that way before. She named the plants in the language of the enslaved people who showed them to her.

Public domain · Getty, MIA, British Library via Commons
Chelsea Physic Garden, London · 1737 - 1739

Elizabeth Blackwell · A Curious Herbal

Her husband was in debtors’ prison. She rented rooms opposite the Physic Garden, drew, engraved and hand-coloured five hundred medicinal plants, four a week for 125 weeks, and paid off the debt. The first herbal by a woman published in Europe.

Public domain · Wellcome Collection, Yale Center for British Art
Malmaison, Paris · 1802 - 1824

Pierre-Joseph Redouté

Botanical painter to Marie Antoinette and then to Joséphine Bonaparte. He perfected colour stipple engraving so the paper’s light shows through the ink. Les Liliacées and Les Roses set the bar for how a single specimen is portrayed against nothing at all.

Public domain · Cleveland Museum of Art
Painted in the field on five continents · 1871 - 1885

Marianne North

She travelled alone, unfunded, and painted plants where they grew rather than as cut specimens: baobabs in Tanjore, orchids in Borneo, redwoods in California. Then she paid for a gallery at Kew to hold all 832 paintings. It is still hung exactly as she left it.

Royal Botanic Gardens, Kew · public domain
Calcutta, Madras, Lucknow · c. 1780 - 1860

Company School

Indian artists trained in Mughal miniature painting, commissioned by East India Company surgeons and botanists. English watercolour on English paper, Indian precision. Most are unsigned; Vishnupersaud and Gorachand are among the few we can name.

Public domain · via Commons
Wellcome Collection · 18th - 19th c.

Anonymous watercolours

Studies by unknown hands, kept because they are accurate. The flowering stem, the root, the fruit in section. This is how most botanical knowledge was actually recorded.

Wellcome Collection · CC BY 4.0
Flanders · 1590

Joris Hoefnagel

A miniaturist working on parchment two centuries before botany became a science, already putting flower and insect together on one page.

Public domain
The specimen itself

The herbarium sheet

Pressed, dried, mounted, labelled with species, place, date and collector. Every plate on this page began as one of these. So does every GIAB dossier.

MNHN Luxembourg · CC BY 4.0
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